BEWARE THE SCAM-2
Monday, September 19, 2011
TITANIC SURVIVORS
At 11:30 p.m. Phillips was suddenly interrupted by the voice of the Californian’s wireless operator. “Say, old man, we are surrounded by ice and stopped.”
It was considered rude to interrupt another ship’s messages without asking permission first, and Phillips--who had been working for almost twelve hours straight and had just spent a large part of that time repairing his system--snapped back, “Shut up! Shut up! I’m busy. I am working Cape Race.”
The Californian’s operator fell silent, sent no more messages about ice, shut down his equipment and retired for the night. Did this confrontation have anything to do with the later refusal of the ship to come to Titanic’s rescue?
*
More than twice as many people perished in the Titanic sinking compared to those who survived, but it needn’t have been as bad as it was. My research turned up a few things that may have contributed to the death toll.
First, everyone agrees there weren’t enough lifeboats. That was obviously the fault of the White Star Line which should have provided more. However, Titanic actually held more than were required by law. Unfortunately, the law was written before shipping companies began building ever larger vessels to accommodate the surge of immigrants to the new world, as well as the desire of wealthy people to travel back and forth to Europe. Titanic had davits installed for forty-eight lifeboats to be stored on the Boat Deck, but providing that many actual boats was vetoed by J, Bruce Ismay, among others, who felt they would “clutter up the deck” and obscure passengers’ views.
Besides, with the newspapers calling the ship “virtually unsinkable” (The White Star line advertising never said that.), more seemed unnecessary. The sixteen required standard lifeboats, plus the four collapsibles could have saved 1178 lives if they’d all been filled to capacity. But many--especially the earliest ones to be launched from Titanic--were not. For instance, Boat Number One left the ship with twelve people instead of forty.
Why the reluctance of passengers to get into the lifeboats and save themselves? There are several reasons. Due to the sound of the impact and the stopping of the engines, most passengers knew fairly soon that something had happened. Parties had been held that Sunday evening, so many partygoers were still dressed in their finery. They took to the decks to see whatever they could and to discuss the situation with one another. Participants at two tables of Bridge in the smoking room barely looked up from their game.
Some stewards, not wanting people to panic, made light of the problem. Many passengers were told it was merely a drill and they could soon return to their staterooms. The band was encouraged to keep playing (the new ragtime music), and lights blazed all over the ship. Furthermore, it was so cold on deck that many chose to retreat to warm rooms instead of get into a relatively tiny lifeboat which (in the beginning at least) would lower them some sixty-five feet into the icy, black Atlantic.
Since more third class than first class passengers perished, many believed at the time that it was deliberate discrimination. True, it wasn’t easy to get from third class to the boat deck, but that was a requirement of the U.S. Immigration Act of 1907. (see Sparks’s Titanic FAQs for details). Not only were there several ways up, stewards were supposed to help passengers find those routes. However, it was a new ship, many stewards were just as new, and--with the sudden necessity of lowering and manning lifeboats, those extra duties were easily overlooked.
Even Cameron’s film shows locked gates that kept steerage passengers below. but everything I’ve read disputes that. The London Independent, in an article published April 11, 1998, states that the Public Records Office carries a report that “third class passengers were not prevented from getting to upper decks by locked doors or anything else.”
There are at least two other reasons for third class passengers’ higher death rate. Many immigrants did not speak or understand English. Then, when finally convinced they must abandon the ship, they wanted to carry all their possessions (literally all their worldly goods) with them. Some narrow stairways leading to upper decks couldn’t accommodate the luggage and, in other cases, the material created bottlenecks.
When it became obvious there weren’t enough lifeboats for everyone, the call went out for “women and children first.” Many wealthy men, including John Jacob Astor, watched their wives leave the ship and stood resolutely at the railing assuring them they’d meet up with them “later.” Mrs. Ida Strauss, however, wife of Macy’s department store owner, deliberately stayed behind with her husband.
Those were the scenes--while writing COLD APRIL--that always brought tears to my eyes. I had to ask a man in our critique group to read that chapter aloud, because I couldn’t trust myself to do so without breaking down. Yet, I must add, unlike Cameron’s film, my hero and heroine--although sorely tested--survive. At least one reviewer admitted she shed tears while reading the book. If you did, I’d love to know.
Monday, September 12, 2011
TITANIC -AFTER THE ICEBERG
But, even in 1912, the officers and passengers knew the iceberg had caused severe damage to the starboard (right) side of the ship. After Robert Ballard found the vessel, inspections were done and studies made providing more accurate information. Namely that the steel used in ship construction at the time did not deform under the blows it received, but fractured. That was especially likely under extremely cold conditions, and the water temperature that night was twenty-eight degrees Fahrenheit. In addition, the collision caused rivets, which held the side plates together, to pop out and some rivet heads to be sheared off.
Another reason why so much water filled the ship so quickly was that the sixteen watertight compartments were actually not totally watertight. The bulkheads dividing them rose only partway up, like partitions separating cubicles in some office buildings. Some bulkheads rose only to D Deck, others to E Deck, barely fifteen feet above the waterline. As sea water entered and filled a compartment, it was able to flow over the top of the bulkhead and enter the next compartment. And so on.
The captain ordered the lifeboats to be lowered and asked the Marconi operators to send out the distress signal, CQD. Interestingly, that old Morse code was sent at first, but later they used the “new” code--SOS--which was easier and faster to transmit. The Titanic’s use was said to be the first in history. The Cunard liner, Carpathia, fifty-eight miles away, responded and began its four-hour journey to the site.
In addition to the wireless distress calls, Quartermaster Rowe took eight white rockets from a locker on the poop deck and brought them to the bridge, where, at regular intervals between 12:45 and 1:30, he set them off. But no response came. During the official inquiry, crew and passengers reported having seen lights from what they assumed was another ship between eleven to twenty miles away and kept expecting it to come to their rescue, but it never moved.
However, there was a ship, Californian, whose own log showed it to be at about that position, having stopped at 10:30 because of the large amount of ice ahead. Later, officers on board the Californian testified they had seen the rockets, but received no orders to do anything. The captain denied having seen Titanic and said it must have been a different, smaller ship, which soon disappeared. To this day, there is still controversy about whether the captain, Stanley Lord (not to be confused with Walter Lord who wrote A NIGHT TO REMEMBER about the tragedy), was derelict in not going to Titanic’s aid.
Read my next blog for more about that “mystery” ship and why so many died that April night close to 100 years ago.
Monday, September 5, 2011
TITANIC - A DIFFERENT STORY IN 2010?
On September 22, 2010, the newspaper, London Telegraph, published an interview with an author, Louise Patten, who claimed to know the real truth about why Titanic struck the iceberg. Patten, the granddaughter of Titanic’s Second Officer Charles Lightoller, revealed a secret told to her by her grandmother. In her interview, Patten says Lightoller told his wife that he lied during both inquiries into the disaster, that striking the iceberg was actually caused by a “blunder” by Hichens.
In 1912, ship steering was changing from the Tiller system (sail) to the Rudder system (steam), and the two systems were the complete opposite of one another. Under the Tiller system (used on Titanic) “Hard a-Starboard” meant to turn the wheel to the left. Under the Rudder system, to turn it right. (Seamanship in the Age of Sail by John Harland) The steersman (Hichens) supposedly panicked and did the wrong thing.
Lightoller, the most senior officer to survive the sinking, told no one except his wife, who later told her daughter and granddaughter, and they kept this secret so as not to damage his, or the White Star Line’s, reputation. Patten revealed it in a book, GOOD AS GOLD, a novel she published in 2010, just in time for the 100th anniversary of Titanic’s sinking. And conveniently at the very time of her newspaper interview.
In fact there was no “blunder.” Overseen by Officer James Moody, who stood behind him, Hichens turned the wheel correctly and the ship turned to port in front of the iceberg. Turning the ship the wrong way would have meant it would either crash head-on into the berg or pass it on its port side. Yet the gaping holes were on the starboard side of the ship. Ms. Patten explains that by saying the “blunder” was “corrected” almost immediately, but by then it was too late to avoid the collision.
Except to sailors (even those with small boats), the tiller system is confusing, and Ms. Patten may be excused for not understanding. However, it’s one thing to rewrite history in a novel, and another to report it to a newspaper as if it were true. Perhaps Lightoller did tell that story to his wife, and she, her daughter and granddaughter all kept the secret. But, meanwhile, all, except Ms. Patten, have died.
Furthermore, the records show that Charles Lightoller wasn’t even on the bridge during those crucial moments, and Patten, with her book, is far from an unbiased source. Ms. Sally Nilsson, the great-granddaughter of Robert Hichens, (who, after the collision, was assigned to Lifeboat #6 and therefore survived) has written a book about Hichens’ life to be released by The History Press in November, 2011. (May be pre-ordered on Amazon.)
In her remarks to the Telegraph, Ms. Patten also alleged that Bruce Ismay persuaded Captain Smith to continue sailing after the crash and they did so for ten more minutes, thereby causing more water to enter the ship and hasten its demise.
This contradicts everything I’ve read, particularly official inquiry accounts from the testimony by crew and passengers, which state that the captain came on deck “just seconds after the impact,” that he inquired if the watertight doors had been closed (they had). He ordered, “All stop,” and Murdoch rang the message to the engine room. Smith then asked Officer Boxhall to inspect the ship, and after that, a carpenter rushed up to the bridge stating that water was coming in. Chief Officer Wilde appeared next, saying the situation was serious, and Smith asked that Thomas Andrews, the architect, be asked to come up. It was only then that Bruce Ismay appeared, “wearing carpet slippers and a suit over pajamas” and Smith informed him the ship was damaged.
No testimony from the official records says Ismay told Smith to keep sailing. His family has rejected the idea that he would have done so and resent the slur that he was responsible for so many deaths. Testimony from the official inquiries states that the ship never moved forward under its own power after striking the iceberg, and there’s no report the engines started up again.
As for why Titanic struck the iceberg, there seems to be plenty of blame to go around. But why did so few passengers survive? I’ll cover that next week. Meanwhile, what do you think about this report by Ms. Patten. Did she make it up to sell copies of her new book? Would you do that?
Monday, August 29, 2011
Titanic Strikes Iceberg - Why?
It seems that tragic events usually have more than one cause. If this hadn’t happened, and that hadn’t occurred at the same time... Such was the case on the night of April 14, 1912.
In the first place, was the ship traveling too fast? Day by day, as it crossed the Atlantic, it covered more nautical miles than the day before. Although Titanic was supposed to be the largest, strongest and most luxurious ship ever built, speed had never been its goal. However, J. Bruce Ismay, managing director of the White Star Line, was on board, and rumors abounded that he urged Captain Smith to increase Titanic’s speed. What a coup for him if they beat the Olympic’s record and arrived in New York on Tuesday instead of Wednesday. Did the captain heed that advice? Whether he did or not, the ship was obviously traveling too fast for the conditions surrounding them that night.
There had been at least six warnings about ice during the day and evening, delivered by Marconigram. Titanic contained a special set of rooms on the Boat Deck for the Marconi Wireless Company and its operators. At about noon on Sunday, Captain Smith showed one such message to Ismay from the ship Baltic which stated that there were “icebergs and a large quantity of field ice” in the area they traveled. Ismay put the message in his pocket. But on Sunday night, the wireless set developed problems and Radioman Phillips spent four hours fixing it. By then he was swamped with messages from passengers that had to be sent. Did iceberg sighting messages go unheeded or unreceived due to that?
At the same time, the binoculars were missing from their usual place in the crow’s nest. When Fred Fleet and Reginald Lee, the two lookouts, took their turn at the watch, they complained to the second officer, Charles Lightoller, and a search was conducted but without success.
The night was bitterly cold, but there was no moon, and the sea was so calm it was later described as looking like “a piece of polished plate glass.” There was also no breeze to stir waves that might kick up at the base of an iceberg and reveal it.
Finally, at 11:40 p.m., Fred Fleet spotted something ahead. In seconds he recognized it as a huge iceberg, gave three sharp tugs on the bronze bell and grabbed the telephone connecting him to the bridge. He said, “Iceberg right ahead.” First Officer Murdoch shouted, “Hard a-starboard” to quartermaster Hichens (or Hitchens), then rang for “Full steam astern” (reverse direction) on both engines. Hichens immediately spun the wheel, and slowly the bow turned to port. As the ship glided past, they realized the iceberg had been hard to spot because it was a “blue” berg, recently turned over and still dark with sea water.
Thus, although the Titanic seemed to have missed the iceberg, the starboard side of the hull below the waterline scraped along the under-water mass of the berg. The tear, although more modest than originally thought, did immediate and irreparable damage, and over 1500 lives were doomed. However, in my next post you’ll learn about a woman who claims something else happened that night.
Reader: What do you think was most responsible for hitting the iceberg? Should the ship, like the Californian, have shut down the engines and stopped for the night?
Monday, August 22, 2011
TITANIC SINKING PREDICTED!
In 1898, fourteen years before the RMS Titanic struck an iceberg on its maiden voyage and sank, a book was published by Morgan Robertson, which seemingly predicted the disaster. The book was “FUTILITY, Or the Wreck of the Titan.”
Yes, Robertson named his imaginary ship the Titan, long before the British shipping company, White Star Line, named its second of three enormous ships Titanic. But the similarities between the fictional and the real don’t end there. The Titan was the largest ship ever built at the time and deemed “unsinkable.” Around midnight on an April night, while sailing between England and New York, it struck an iceberg on its starboard side and--due to insufficient lifeboats--took most of its passengers down with it. Sound familiar?
There’s more. In both cases, the ships were made of steel, had three propellers and two masts, and could accommodate 3000 passengers. In addition, many details were close, if not identical. The Titan was 800 feet long, the Titanic 882. The Titan’s horsepower was 40,000, the Titanic’s 46,000. Titan had 19 watertight compartments, the Titanic 16. Titan carried 24 lifeboats, Titanic 20. There were 3000 people on board the Titan, 2228 on the Titanic. Titan’s speed at impact with the iceberg was 25 knots, the Titanic’s 22.5 knots. However, whereas in the novel a mere 13 people survived, 705 survived Titanic.
I’ve read FUTILITY, and the plot of Robertson’s book is nothing like any of the other novels about the Titanic that I’ve read or James Cameron’s film. Aside from that, it’s not well written and no doubt sank quickly after publication (pun intended) rendering it all but forgotten by April, 1912, when Titanic began its rendezvous with an iceberg and the leap into history.
Inasmuch as next year, 2012, marks the 100th anniversary of the sinking, interest is mounting all over the world. At least two cruises to its gravesite are planned and even more books have been written about the possibly most famous ship ever launched. Robertson’s book was published in 1898 but I doubt it could be today. Who would believe a story in which (1) the largest and strongest ship ever built, (2) deemed unsinkable, (3) on its maiden voyage, (4) carrying some of the world’s wealthiest people (5) would strike an iceberg and sink in less than three hours?
In 1894 my grandfather, John Ashworth, emigrated to the U.S. via the New York, the ship which almost collided with Titanic in Southhampton in 1912, so I’ve had a lifelong interest in the ship. I wrote my novel COLD APRIL in 2008 and it was published in December of 2010. My extensive research led me to FUTILITY, along with many other facts that didn’t find their way into my book. This is the first of several Blog posts in which I’ll share them.
Wednesday, February 23, 2011
THE SECRET - PART II
I live in a large gated community of five thousand homes, where eighty clubs cater to every interest. After my husband and I moved in, I became involved in two activities. I wanted to join a writers club, but there not being one, I started it myself.
As a former amateur actress, I joined the Performing Arts Club and had a part in one of their plays. Two years later, I was voted Vice President of Plays and suggested we produce the famous play THE MAN WHO CAME TO DINNER, written by George S. Kaufman and Moss Hart.
Unfortunately, the president of the club didn’t like it and--as I discovered later--he and his wife, who were professional actors, wanted the leading roles in a different play that year. They passed out copies of that script to all board members and encouraged them to vote for it instead of the one my committee chose. Friends insisted I’d been unfairly treated.
I then decided that, since the couple had had the play they wanted, mine could be suggested the following year. It was, and the president protested again. During the day of voting--while I was in another state attending a family wedding--he suggested a different play and mine lost again. I had no reason to believe a third try would succeed, so the project seemed impossible.
Meanwhile, however, new residents moved into our community and two very talented actors became my friends. Karen (who I wanted to play the female lead), and Marty (a perfect male lead), were behind me and offered to help get the play performed. Together we approached another retirement complex nearby which had a performing arts club, and their board agreed to put on the play, the president of the club signing the Agreement.
A week later, he told me they’d changed their mind. I learned a member of their board was a good friend of our club president and he had probably sabotaged our deal.
Once more the project seemed doomed, but the idea that the play should be presented refused to go away. I was reminded of a little theatre in town which put on several plays a year, and spoke with their director. She was willing to rent the theatre to me and we set a date. Because the theatre was small, and I wanted to keep the ticket price reasonable, I realized the production might sustain a financial loss. However, I planned to use my personal savings if necessary.
Other problems arose. I had to become an "entity" which would "hire" the theatre for the play, which meant paying a county fee and publishing my fictitious business name in the local newspaper. Then I had to buy liability insurance for that entity. Two weeks later the theatre closed down altogether.
By now, even my husband, who had supported me, told me to forget the idea. However, in spite of now having been rejected four times, I continued to feel it was the right thing to do.
Karen reminded me that some of the writers in my writers club wanted to write plays, and suggested I go to their board and ask if they’d sponsor the play. Three days later, the association gave permission and we could do the play on our own stage.
The only dates we could get the theatre were June 10-13, and many residents leave the desert during the summer, but ten actors from the Performing Arts Club (hereinafter PAC) signed on. To complete the cast, I took a small part in addition to directing, and we included actors who didn’t live in our community.
And then more problems arose. The actor playing the butler resigned and I had to replace him. A month later one of the two main actresses backed out. Again I was told to forget the project: after all, tickets were not on sale yet. But Karen and Marty were still there and we had made four large posters and paid for advertising, so I kept on. Two weeks later, a friend from my writing club agreed to take the part.
Finally, twelve days before opening, one of the outside actors, who had a very important part, failed to come to rehearsal and we heard he had simply "disappeared." He didn’t answer his phone or e-mails. No one knew where he was.
I called every male actor I knew but none was available. Suddenly it was Wednesday, and the play was due to open eight days later, on Thursday night. I spent the entire day on the phone. I called the acting coach at the local college and phoned every man between the ages of twenty and sixty who was listed as a member of the desert actors network, but I spoke mainly to answering machines.
One man said he might do it if I paid him (no other actors were being paid) and, desperate, I agreed. He asked me to leave a copy of the script at the gate to our complex, but when I took it there, I discovered they were not allowed to hold things for people. I took it to the front desk of the clubhouse and told the actor to pick it up there. At five p.m. he phoned to say he had been to the clubhouse but the desk had closed at 4:30. He was no longer interested. I was home alone. I felt physically sick and couldn’t swallow. Tears ran down my face. Then, as if it were a voice, I heard the words, "Go forward."
Yes, we had a rehearsal at six, so I went to the theatre. In the middle of rehearsing act one, my cell phone rang, and it was one of the actors I’d phoned that day, returning my call. He said he might be interested and came over right away. He had acted in and directed many plays in the valley, and not only looked the part, he played it perfectly and knew all his lines by the next day. The cast called him a "miracle."
The show was a huge success. People leaving the theatre said it was the best play ever done here, and four people left their e-mail addresses and asked to be notified for our next one. The Writers Club, which paid all expenses, made a small profit.
What impresses me most is how every seeming setback along the way turned out to be a blessing. Had we done the play with PAC instead of my own theatre company, we could not have used the four experienced outside actors. Had we done it in the neighboring complex, it would have required traveling and working with a smaller stage. Had we done it at the little theatre, there would have been even more traveling, plus fewer people could have seen the play, to say nothing of the huge cost to me.
As for the actors who quit during rehearsals, the butler we used turned out to be far better than the original one cast. The actress who stepped in was far better than the first would have been; and the "miracle" actor at the end was not only better than our original choice, but better than anyone else I could ever have chosen for the part.
As proprietor of my acting troupe, Summer Repertory Players, I had joined the Desert Theatre League which is like the Broadway Tonys but for plays and musicals in this valley and, in October, they issued nominations for the 110 productions they judged that year. THE MAN WHO CAME TO DINNER received eight! On November 14th at the 23rd annual Desert Theatre League Stars Awards dinner, we won four! Not only was I not expecting to win any, we almost swept the Comedy awards. Marty won for Best Lead Actor, Karen for Best Lead Actress, John (our British non-resident) won Best Supporting Actor, and I won for Best Director of a comedy.
My dream of producing the play I loved came true in ways I could never have imagined. Once again, persistence pays.
Wednesday, September 8, 2010
THE SECRET
Article after article mentioned persistence as an important--if not the most important--ingredient. And I'm living proof that it's true. In December, Avalon Books will publish SOUTHERN STAR, a romance novel a friend and I wrote twenty-six years ago.
Of course, it's not exactly the same book. Besides a few title changes, and an entirely new scene added, I improved it over the years, as I learned my craft. But the characters, the plot, the complications which led to the HEA ending, remained the same. Without going through the fat file containing copies of my letters and the rejections, I can't tell you how many times I submitted the book to publishers since 1984, but, just since 2002, (when I began to keep track on three-by-five cards) it went out nineteen times. In fact, Avalon rejected it twice.
What this tells me is that, when you have a good story, you should never give up trying to sell it.
Sure, I had to add cell phones and update the language and references, but I never gave up my belief in the worth of the core romance. I just had to keep trying until the right person--even in this difficult time for the publishing industry--saw what I saw and liked it.
Since 1984, I've sold nine other romance novels (including my very first one (which I wrote in 1975 and sold in 1986), so maybe I'm just a slow learner. But this one is particularly gratifying to me, and I hope my experience will inspire other writers to hold to their vision. A writer who hasn't sold her novel isn't a failure. She's a not-yet-published author, and time and persistence may make her dreams come true, as they did for me.